I don’t know if this will surprise anyone or not, but I genuinely liked All About Eve. I really liked it!
Despite figuring out the twist of Eve lying about her life and how it lead to her latching on to Bette Davis’s Margo almost as soon as the character starting tell her story to the whole group, I still found the film interesting enough to keep watching through to the end. Just knowing that one piece of information didn’t give the rest of the film away (As apose to something like the 6th Sense, which I figured out half through the film and spend the other half hoping that it wouldn’t end in the cop out I was imagining it could be. Predictably, it did), especially as we’re already shown the ending at the beginning and the rest of the film is shown in flashback form.
I think what kept my attention despite my brain already spoiling the big shock for me, is the fact that by now, it’s a common plot twist found in many television series and films by now, regardless of genre, on top of the sheer fact that I like these sort of twists when executed well. A La Folie Pas Du Tout, for example, is one that is executed very well and a must see if you’re a fan of either All About Eve or Play Misty For Me.
And that’s because there’s a whole story to unravel besides the twist. I might have known Eve was lying, but I didn’t know why, I didn’t know what was the truth, I didn’t know how it lead to the end scene, which we saw first, and I certainly didn’t know how I’d feel about the characters as the story progressed.
It’s very easy to see Bette Davis’s character as a bitter old woman, resentful of a younger fresher face on the scene, paranoid to the highest degree over her friends finding a place in their group for this young up-and-comer who started out as a lowly fan. It’s very easy to see her as the rest of the group see her and the situation, that Margo is anticipating the fall of her career after reaching forty and can’t handle aging, and sees anyone younger as the enemy, and anyone helping anyone younger is also the enemy.
But the thing is, is that even if you know the twist or not, the audience sees the manipulation side of it too. Eve is an opportunist and she carries around a kicked puppy look wherever she goes. Margo’s friends have taken her under her wing, they give her opportunities because they feel like she deserves them, and she eats them up because she knows the worse she makes it for Margo, the easier it is for her to take her place. After all, she is a very good actress.
We see as she moves in on the characters, one by one, from Margo to her friend Karen, wife of the Lloyd Richards, who writes the plays that Margo stars in, to Lloyd himself. She orchestrates situations where she has to fill in for Margo, with a theatre critic watching.
It’s mesmorising. Watching it all unfold is honestly mesmerising.
And doesn’t it say something about the ignorance of the acting industry that a woman hitting forty is just as at risk of losing grip on her career in today’s society as she was over fifty years ago? Alright, so it’s got better over the last couple of years, we are seeing more genuinely older ladies on the screen and in theatre, I think that’s down to the way we percieve middle age these days. But older women actors are few, far between, and in the majority. The parts aren’t as varied as for other dynamics, that’s for sure.
But back to All About Eve. I can’t fault it at all. Bette Davis, Anne Baxtor, Celeste Holm and the rest were amazing. This film deserves it’s place on the list of Must See Classic Movies. I would watch it again and I would recommend it.