This is really another film that I went into blindly, and that hasn’t worked out well for me so far, if I’m honest. And of all the people I mentioned this film to, only one person had both seen it and liked it.
Well, maybe that’s the key, because I can honestly say that of all the films I’ve watched so far for the Classic Movie Quest, I enjoyed watching this one the most! I actually properly laughed at the bits people are meant to laugh at. That hardly ever happens with me!
It’s very loosely based on a French “drag comedy” called La Cage aux Folles, a film which has a closer American remake in the form of a film called The Birdcage, starring Robin Williams and Hank Azaria. That’s another film which never fails to make me laugh every time, for the record.
And alright, it’s not the most politically correct of films in this day and age. If two men dressed up as women and successfully infiltrated a woman’s band in order to escape the mafia after accidentally witnessing a mass execution – talk about being in the wrong place at the wrong time – in real life, it’d be, quite frankly, very weird and worrying, especially for the women involved.
But it would still have the air of so surreal, you have to laugh to it, if you disregard the seriousness of the Saint Valentines Day Massacre… And built on that, you have this comedy.
It stars Tony Curtis (Joe), Jack Lemmon (Jerry) and Marilyn Monroe (Sugar Kane). Like I said, it’s about two men, both talented musicians, who accidentally witness the Saint Valentines Day Massacre and have to go on the run to avoid being killed by said Mafia. They dress up in drag, join a women’s band, one catches the eye of a womanising millionaire with a yacht, and hilarity ensues.
Some parts do come off as skeezy, which is unavoidable. Both Jerry and Joe compete to gain the affections of talented ukulele player and solo singer, Sugar, and, Jerry more than Joe, struggle to remember that doing so would put their disguises at risk. Which is why Joe takes up yet another disguise as a millionaire with a yacht, taking advantage of the fact that a real millionaire with a yacht named Osgood Fielding III has not only docked at the beach, but is vying for Jerry-in-drag’s attention.
This film is nothing more than a farce, it is meant to be seen as nothing more than a comedy, but for the time it was done and set, it’s actually quite a “modern” story. I mean this in the most positive way, but it borders on Carry-On-Film territory for most of the film. And for a farce, it makes for a good example of the social conventions that are only being questioned today.
Of course, all good films have to go wrong before they end on a happy note. The Mafia make another appearance, there is a chase which is just as funny as it is life-threatening, and poor Sugar is left chasing their tails as they end up on Osgood’s boat, safe from the Mafia once again.
Luckily, she can jump really well, but unfortunately for the now less-than enthusiastic Jerry, Osgood still wants to marry him despite knowing he’s a man. Talk about modern!
I really did like this film. It is dated, but there’s no getting around that fact, considering it’s a black and white film from 1958 based in 1929. It is not for anyone a part of the Social Justice Warriors or take Political Correctness to the extreme, but I would recommend it to those who know a good laugh when they see it, and I definitely would watch it again.